Nominated For: Best Visual Effects.
Solo: A Star Wars Story chronicles the early escapades of a young Han Solo as he winds up deep in the dark, dangerous criminal underworld and joins a crew of smugglers looking to pull off a huge heist for a notorious crime lord.
Now it's no secret that Solo: A Star Wars went through some significant behind-the-scenes drama, as reports of the director shake-up and extensive reshoots were highly publicized and it was all slung around by the press as though this film might be Lucasfilm's first flop. For those curious what I'm referring to, directing duo Phil Lord and Chris Miller were taken off the project mid-way through production last summer due to creative differences only to be replaced by the Academy Award winning director Ron Howard. We recently saw something similar happen to Justice League, so I'm sure many have feared the worst since the news broke, but I've gotta say that the change-up is not noticeable in the slightest within the context of the film itself. You can tell this is a film guided by a singular vision at the helm of it all. It's not a hodgepodge of conflicting voices strung together by a committee purely to sell more merchandise.
Howard's actually got something else in store for Star Wars fans. Solo is an origin story for Han in the vein of a western/gun-slinger with a youthful exuberance and the added benefit of a heavy criminal element. While Howard certainly deserves credit for the execution of it all (especially considering the amount of time he had), I've gotta hand it to Lawrence and Jonathan Kasdan for writing a tight script. Larry Kasdan is quite familiar with Han Solo because he's been writing the character since The Empire Strikes Back, and it really shows in the dialogue and story-framework. The scope of the story is small, but the stakes felt intimate as a result, which is precisely how it should be. It's actually quite refreshing to see a blockbuster with such an adventurous spirit that ironically brought Indiana Jones to mind.
Howard and the Kasdans also found a nice balance between treating fans to fun nuggets of Han's origin and revealing an excessive, unnecessary amount of Han's backstory. For those angered that the Expanded Universe lore was stricken from canon when Disney purchased Lucasfilm, you'll probably be pleasantly surprised to see quite a bit of Han's Expanded Universe history reintroduced in Solo. Of course, there are many easter eggs to be found as well, but I was really relieved to see none of them take precedence over the story at hand as a cheap wink to the fans. While there are certainly moments of fan-service, none of it felt egregious or unnecessary. Although, there's one surprise cameo that will likely confuse casual fans of the franchise. All I have to say to that is you'll understand it if you go watch the animated Star Wars: The Clone Wars series (it's on Netflix). Before I move away from the fan discussion, I should also probably mention that Solo bucks many longtime Star Wars traditions so just be prepared for that.
Technically, Solo is as proficient as any of the Disney era Star Wars films. There's nothing particularly game-changing for the medium of film or the franchise in general, but the costumes, production design, editing, visual effects, sound editing and sound mix are all very well-polished examples of exemplary work from the crew. It's also worth noting that John Powell composed an accomplished score which occasionally incorporated an appropriate use of familiar John Williams musical motifs while the action sequences on display were quite exhilarating. In particular, I most enjoyed the Conveyex train heist sequence in addition to finally watching the infamous Kessel Run unfold.
If I were to rattle off some nitpicks, I'd have to start by saying I found it difficult to see everything that was going on in certain scenes due to dim lighting. I largely just found this disappointing because Bradford Young was the director of photography on Solo and I loved his work in Arrival. This perhaps could be chocked down to a poor projector in the auditorium I watched the film in (I'll know for sure after a second viewing), but everything just looked very dark and dingy at times. Part of me thinks the projector was operating perfectly fine and the color palette was just grittier to match the backdrop of the criminal underworld as a stylistic choice, but one can never be too certain.
One of my favorite things about Star Wars is the world-building that accompanies fleshing out a galaxy far, far away. So, naturally, I'm a sucker for introducing new locales and abstract aliens. However, I found myself a little let down by that component of Solo. The production team did very little to differentiate the "new" planets (some are pre-existing in the canon) from anything seen previously. Normally, I find myself so enraptured by the scenery that I unrealistically wish I could venture there. With Solo, that simply wasn't the case despite top-notch production quality... The settings in Star Wars are almost a character of their own, but they just felt like set dressing in this instance.
In regards to its cast, Solo had some big hurdles to overcome. While he may not have had first shot at portraying the character, Alden Ehrenreich brings new life to Han Solo as a younger, inexperienced version of the beloved scoundrel. Ehrenreich delivers the essence of the character we all know and love while taking ownership of his own version. I'm sure many are skeptical about the idea of anyone else in the role of Han Solo other than Harrison Ford, but I can speak for myself in saying I was assuaged from the get-go. Opposite Ehrenreich is an actor who really doesn't get enough credit... Since The Force Awakens, Joonas Suotamo has put on the big furry suit and chortled onscreen as the big fuzzball we affectionally refer to as Chewie. However, this time, Suotamo gets to shine in ways the previous films simply didn't allow time for since the burgeoning bromance between Han and Chewbacca is a focal part of the film. The chemistry between Ehrenreich and Suotamo makes the companionship between these classic characters completely convincing and it's quite amusing to see their friendship flourish over the course of the film.
The other familiar face to be found in Solo is Lando Calrissian, who's portrayed perfectly by Donald Glover. Like Alden, Glover brings his own spin to the role that's already been previously popularized by another actor. Glover's take feels like it's entirely his own, yet is also remarkably in line with the precedent previously set by Billy Dee Williams. Glover just oozes the eccentric ol' smoothie charisma required for the role and will charm your socks off. Phoebe Waller-Bridge plugs into the affairs as L3-37, Lando's navigator droid who's a vocal droids-rights activist. Waller-Bridge steals many scenes with some well-timed quips and certainly stood out as one of the funnier characters in the crowded cast.
Rounding out the cast, Emilia Clarke, Woody Harrelson, Thandie Newton, Jon Favreau, and Paul Bettany all do a fine job playing a host of characters with mysterious, ever-changing motivations. These are Qi'ra, Tobias Beckett, Val, Rio Durant, and Dryden Vos respectively, but I'm going to stay out of specifics to avoid spoiling anything.
Really, Solo had everything I could ever want from a standalone Han Solo story. In spite of a troubled production, Solo: A Star Wars Story tells a fun, fairly risk-free adventure that I can't wait to experience again. You better buckle up baby, because Solo: A Star Wars Story is the summer blockbuster you're gonna want to ride over and over at light speed!
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